JOSEPH BENDER
BLACK PAINTINGS and BULL'S-EYES
BLACK PAINTINGS and BULL'S-EYES
| Installation Views | |
 Gallery Overview |
 Left to Right - View From The Deck Of The Admiral Bragueton and Where Dogs And Vultures Meet, version |
 Left to Right - Portrait Of The Artist As A Middle-Aged Man, Addition Is Not Subtraction and One Eyed Hermaphroditic Bastard |
 West and north walls of gallery, bench courtesy of Robert Buckenmeyer |
 Left to Right - The Opium Of Blue Annihilation, Crepuscular Predilection and Fabricator Of Forbidden Riddles |
 Left to Right - Wet Nurse in Diapers, Retreat Of The White Army Across Lake Baikal, 1920 and Fatima |
 Left to Right - Study For A Chromatic Black Painting, Abandoned In The Copse and Study For A Prussian Blue Painting |
 Left to Right - The Charm of Death and As Soon As Dawn Breaks |
| Selected Works | |
 Where Dogs And Vultures Meet, version, 36" x 36", 2009 |
 View From The Deck Of The Admiral Bragueton, 36" x 36", 2009 |
 Fatima, 24" x 24", 2009 |
 Retreat Of The White Army Across Lake Baikal, 1920, 24" x 24", 2009 |
 Wet Nurse in Diapers, 24" x 24", 2009 |
 The Charm of Death , 24" x 24", 2009 |
All paintings oil and alkyd on aluminum.
All targets (except Wet Nurse in Diapers) were shot with a .38 caliber pistol at twenty paces.
Wet Nurse in Diapers was shot with a .22 caliber pistol at twenty paces.
All targets (except Wet Nurse in Diapers) were shot with a .38 caliber pistol at twenty paces.
Wet Nurse in Diapers was shot with a .22 caliber pistol at twenty paces.